Again, this song is a lot of music and comparatively less wording, but with a package that creates a song. Sade paces herself against a musical accompaniment that builds new elements at the end of each few bars without her (or more importantly, me) becoming distracted by the beat or the clackityclackityclack of this keyboard I am beating up on right now. Well, I didn't get the ballad I wanted, but the tambourines are making me happy. I am PRAYING for a ballad, praying with all I got. Lower energy than the song before it, beginning with strings and a piano. 11 thumbs up (I'm an alien, don't judge me!). These drums closing out this song are what my wet dreams are made of, the snares are crisp and HUGE, kick drums are downplayed, but felt and the toms do what they must while the pan-mixed hi-hat bounces around it. I mean, anyone reading this SHOULD have heard this song already, and opinions of it should be formed on it. This beat is a bit busy for Sade's approach to it, but she is using it quite well. Okay, I get a short horn and some VERY nice drums, and a VERY large guitar on this song. I am not even one to nitpick on things like the fact that I STILL liked Sweetback better as her backing band, but the guitar work in this song makes it worth the price of admission, which is still $0.00 to this point. The music here matches her voice, cadence and writing well.
Okay, this album is off to a not-too-fast (in physical pace, not quality) start, and I like it already. Sorry Sade, blame it on the head and not the heart.
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So much being said, I HAD to download this album before I would allow myself to spend good money on it. Evidence in this can be found in the outputs of Beyonce and Rihanna compared to Sade. The other part of me sits and thinks of the fact that music has so terribly sucked over the last several years. Part of me is ashamed for having even downloaded this album, with my very much on-the-outside crush for Helen Folasade Adu, professionally known as Sade.
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